Camera · Born Jun 9, 1930 · Died May 6, 1997 (66) · Lanzo d'Intelvi, Italy
Angelo Novi (9 June 1930 – 6 May 1997) worked for thirty years as the exclusive photographer with some of the most known Italian film directors of his time, such as Bernardo Bertolucci, Sergio Leone, and Pier Paolo Pasolini. He studied at the Brera Academy in Milan, and from 1952 on, started to work as a photojournalist. The ability to capture the decisive moment, inspired by idols like Henri Cartier-Bresson and Robert Capa, is an important gist for his photographic style, which later honed in his work as a set photographer. Novi told his own story through the scenic action captured by his photographs. Emphasis on the decisive moment, the contrast of proximity and distance, and the black and whites, are all attributes of Novi's work. With his photographs, Novi has made a comprehensive contribution to the cultural memory of the golden era of the Italian cinema. As a silent observer, he captured the moments at the film sets both behind the scenes and in action, revealing intimate aspects that cannot be found on the screen.

The Good, the Bad and the Ugly
19668.5

Once Upon a Time in America
19848.4

Once Upon a Time in the West
19688.3

The Last Emperor
19877.6

Last Tango in Paris
19726.9

Duck, You Sucker
19717.7

My Name Is Nobody
19737.3

Django
19667.2

The Conformist
19717.6

1900
19767.8

Stealing Beauty
19966.7

Talcum Powder
19826.8

Theorem
19687.0

Little Buddha
19936.3

Mamma Roma
19627.9

The Gospel According to St. Matthew
19657.4

The Sheltering Sky
19906.5

Love Meetings
19658.2

The Star Maker
19957.0

Boot Hill
19695.9