
Directing · Soissons, Aisne, France
Michel Auder’s films, which span in length from five minutes to multiple hours, are all edited from the thousands of hours of footage the artist has casually shot throughout his life. Early on, Auder made a habit of carrying portable video-recording equipment on a daily basis, and so amassed a biographical reel that frequently captured his fellow artists in the New York art scene, including such personalities as Cindy Sherman, Larry Rivers, and, most famously, Alice Neel. Auder did not consider his practice to be factually driven, however: “It was not in any way a documentary, not to be related as truth. This work reflects my own feelings.” Auder’s approach to filming was largely inspired by Andy Warhol’s screen tests, and the experimental films of exponents of the French New Wave like Jean-Luc Godard.

Fictional Art Film
2019

1967
2015

Untitled (I Was Looking Back To See If You Were Looking Back At Me To See Me Looking Back At You)
2012

Narcolepsy
2011

Alice Neel Paints Margaret
2009

The Feature
20088.0

Polaroid Cocaine
1993

Voyage to the Center of the Phone Lines
19938.0

Roman Variations
1991

Magnetic Notes, 1986-1987
1988

Brooding Angels
1988

Coupla White Faggots Sitting Around Talking
1981

Talking Head
1981

Jesus
1979

My Love
1978

Made for Denise
1977

Chelsea Girls with Andy Warhol
19768.0

The Valerie Solanas Incident
1971

Cleopatra
19705.0

Keeping Busy
196910.0