
Directing · Born Feb 11, 1971 · Ann Arbor, Michigan
David Edward Gatten (Born February 11, 1971, Ann Arbor, Michigan) is an American experimental filmmaker and moving image artist. Since 1996 Gatten's films have explored the intersection of the printed word and moving image, cataloguing the variety of ways in which texts function in cinema as both language and image, often blurring the boundary between these categories. His 16mm films often employ cameraless techniques, combined with close-up cinematography and optical printing processes. In addition to the ongoing 16mm films, Gatten is now making hybrid 16mm/digital works and has completed an entirely digital feature-length project called The Extravagant Shadows. Among other projects, they are currently working on a series of films entitled Secret History of the Dividing Line, a True Account in Nine Parts, a project which Artforum magazine called "one of the most erudite and ambitious undertakings in recent cinema." He was awarded a Guggenheim Fellowship in 2005 to continue work on this series of films exploring the library of William Byrd II of Westover (1674–1744) and the lives of William Byrd and their daughter Evelyn Byrd (1707–1737). [Wikipedia]

The Spirit Lamp
2025

This Day’s Madness did prepare Tomorrow’s Silence
2021

The Heart is the Residence of the Spirit
2019

Narrow Rivers, Open Seas & Seventeen Sunsets (Silences for A Merchant Mariner)
2018

Devotions Upon Emergent Occasions
2016

Crossing Brooklyn Ferry
2015

What Places of Heaven, What Planets Directed, How Long the Effects? or, The General Accidents of the World
20136.0

By Pain and Rhyme and Arabesques of Foraging
2013

The Extravagant Shadows
20125.0

The Matter Propounded, of Its Possibility and Impossibility, Treated in Four Parts
2011

So Sure of Nowhere Buying Times to Come
20106.0

Film for Invisible Ink, case no. 323. Once Upon a Time in the West
2010

Journals and Remarks
2009
![Film for Invisible Ink, Case No. 142: ABBREVIATION FOR DEAD WINTER [Diminished by 1,794]](https://image.tmdb.org/t/p/w342/hjjoZKt940oSgrdkTUDLts2YCLZ.jpg)
Film for Invisible Ink, Case No. 142: ABBREVIATION FOR DEAD WINTER [Diminished by 1,794]
2008

Rete: Red Hook, Brooklyn
2008

How to Conduct a Love Affair
20076.0

What The Water Said, Nos. 4-6
20076.0

Shrimp Boat Log
2006

Film for Invisible Ink case no. 71: BASE-PLUS-FOG
2006

The Great Art of Knowing
2004

Fragrant Portals, Bright Particulars and the Edge of Space
2003

Secret History of the Dividing Line
20025.0

The Enjoyment of Reading, Lost and Found
2001

Moxon’s Mechanick Exercises or the Doctrine of Handy-Works Applied to the Art of Printing
19995.0

What The Water Said, Nos. 1-3
19986.0

Hardwood Process
19967.0

Silver Align
1995