
Directing · Born Jan 3, 1954 · Died Apr 20, 2019 (65) · Manhattan, New York, USA
Phil Solomon was an internationally recognized filmmaker and educator who taught both film history/aesthetics and film production at University of Colorado Boulder from 1991 until his death in 2019. Solomon’s work has been screened in every major venue for experimental film throughout the U.S. and Europe, including 3 Cineprobes (one-man shows) at the Museum of Modern Art and two Whitney Biennials. His films have won 10 first prize awards at major international film festivals for experimental film (including six Juror’s Awards from the Black Maria Film and Video Festival). His films reside in the permanent collections of the Museum of Modern Art, Massachusetts College of Art, Binghamton University, Hampshire College, The Chicago Art Institute, San Francisco State University, the University of Wisconsin at Milwaukee, and the Oberhausen Film Collection. Solomon collaborated on three films with his colleague and friend, Stan Brakhage, who named Solomon’s Remains to be Seen on his Top Ten Films of All Time for Sight and Sound.

The Summit
2023

By This River
20187.3

Psalm IV: Valley of the Shadow
20145.7

The Emblazoned Apparitions
20137.1

The Eternal Courtship
2013

American Falls
20106.0

Still Raining, Still Dreaming
20096.4

Empire
20086.0

Rehearsals for Retirement
20077.2

Last Days in a Lonely Place
20076.9

Crossroad
20057.2

Life with Stan #4: Stan Painting
2002

Psalm III: Night of the Meek
20027.4

Seasons...
20026.7

Stan Brakhage Exits the Cinema and Enters the Light of Day
20027.6

Innocence and Despair
20026.3

Psalm II: Walking Distance
20007.4

Psalm I: The Lateness of the Hour
19997.3

Yes I Said Yes I Will Yes
19998.0

Concrescence
19967.0

The Snowman
19957.2

Elementary Phrases
19946.1

Clepsydra
19927.0

The Exquisite Hour
19896.2

Remains to Be Seen
19897.2

The Secret Garden
19887.4

What’s Out Tonight Is Lost
19837.2

The Passage of the Bride
19808.0

Nocturne
19807.8