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The Series, Yokomizo Seishi Short Stories is an NHK BS Premiere television drama series. It is based entirely on Yokomizo Seishi's mystery novels. In principle, the series is based on short stories, but some of the longer stories have been abridged and adapted into short stories.The first three series were broadcast in November 2016, and nine films from three series were broadcast by February 2022.
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Part 1 · Nov 24, 2016
黒蘭姫
The content of the story is largely the same as the original work, with almost all of the dialogue and narration consisting of words extracted from the original work, but the order of the narrative has been changed. In a major part, the narrative begins with Kasuya Rokusuke's visit to Kindaichi's office and goes back to the beginning of the original story in the form of images showing Kasuya's explanations, and there are many other minor changes to the order of the narrative. In addition, the following alterations can be seen, which simplify the movements of the characters The second Black Ranhime in the coffee room does not speak to Kinji Miyatake over the table, but stands up and speaks to the side. Finally, after the third Kuro Ranhime appears, all the movements of the characters are within the third floor, and no stairs are used. In particular, Aki Isono moves in the opposite direction to the original, away from the women's clothing department.
Part 2 · Nov 25, 2016
Satsujinki
Almost all of the dialogue and narration is extracted from the original work, with only minor differences in the storyline as follows. Yashiro Ryusuke's own home is located on Y Koji. When he first accompanies Kanako on the road, Kagawa meets her in front of Yashiro's house, and Kamei also appears there. Dr Asano's wife did not show up. It is explained that Kagawa has two girls (in the original story, one is a student at a girls' school, but the gender of the other is unknown). The introduction of the 'one in 500 murderers' is told against the backdrop of Kindaichi excavating an air-raid shelter (which appears to have been made from a natural cave).
Part 3 · Nov 26, 2016
百日紅の下にて
Almost all of the dialogue and narration is extracted from the original story, and there are no particular deviations from the original storyline, but the images tend to be devoid of reality. For example, the scene in the ruins of the mansion where Saeki and Kindaichi talk to each other is somewhat fantastical, and Kindaichi's appearance is also unrealistic. In addition, Saeki and Yumi's sex life is represented by the 'dancing futon'. The behaviour of those attending the first anniversary of the death of Saeki and Yumi is unnaturally exaggerated.